Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc.

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Email required Address never made public. Bach as cor many of the works by Felix Mendelssohn. They say that imitation is the finest form of flattery. In both instances, there are 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece.

Is there a joke buried in these lines that only Moyse would understand? There are several works throughout the history of Western Music that pice be considered imitations of one another. What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically.

The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes.

This is all but a prelude to the most technically demanding element of the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves.

Ibert Piece for Solo Flute

Learn how your comment data is processed. You are commenting using your Twitter piecw. The most significant similarity, however, is the repetitive notes that create a sense of recitative without words. After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began to hear a clear influence of other works written around this time period.

What is similar, however, is that each section is connected by rhythmically intricate cadenzas. Notify me of new posts via email.


Piece pour Flute Seule

The same duple vs. Notify me of new comments via email. Is this intended to be the voice of Moyse? Each section is linked together with virtuosic cadenzas exploring the range of the instrument and incorporating extended techniques such as flutter tonging.


Finding Moyse – Ibert vs. Bozza | Rachel Taylor Geier

The similarities between these swirling figures in both puece are quite eerie. This of course is all just speculation. Welcome to Flute Friday Monday! What is the significance of the duple vs. Both Ibert and Bozza leave the true musical fireworks in the cadenza sections connecting the B section to the repetition of the A section.

The last time I played this piece in public was countless years ago tlute a studio recital as a Freshmen at DePauw University, long before I tackled the Ibert and Nielsen Concerti and other seminal works from the standard contemporary flute canon.

Jacques Ibert – Piece pour flute seule sheet music for Voice download free in PDF or MIDI

Is there a sentence or a phrase known only to the composer that is created using these rhythmic syllables? Image features a similar fro linking the A section to the B section at the top of the 2 nd page, beginning with a fermata placed above a low B sharp. In the Ibert, such a figure appears at the very beginning of the piece: The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words. Leave a Reply Cancel reply Enter your comment here Like the Ibert, Bozza uses the cadenza between the B section and the return of the A section in Image to showcase the most technically demanding elements in the work.

This site uses Akismet to reduce spam. Perhaps this was an exercise used at the Paris Conservatoire.

Fill in your details below or click an icon to log in: Where they somehow commenting on the Moyse style? This pattern replays throughout the B section namely in and around the impending Animanto: Perhaps Ibert was wolo to set the groundwork for the Image.


This is followed by 1 beat of triples and one beat of 4 sixteenth notes:. The faster, technically demanding A sections are enhanced by a fulte, more lyrical B section.

Was this swirling figure somehow evocative of Moyse? Or maybe a commentary on the nature of a brooding performer who perhaps lets his thoughts bubble not once, not twice, but three times before he takes action sounds like a Taurus….

This is followed by 1 beat of triples and one beat of 4 sixteenth notes: You are commenting using your WordPress. Octave displacements complete the cadenza and introduce the return of the A section at the Piu lento.

Image is written in ternary ABA form with a slower, fantasy-like introduction. In the Ibert, we see grouping of sextuplets followed by septuplets followed by eight 32 nd notes and a grouping of nine 32 nd notes. You are commenting using your Facebook account. The use of the virtuosic cadenza sections in both works displays a clear similarity in function to connect the A section to the B and ubert B section to the return of the A section.

It is difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse. Repetitive Recitative The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes.