– Atmospheres score – Download as PDF File .pdf) or read online. Full score. Get this from a library! Atmospheres (Ligeti).. [György Ligeti]. Sheet Music – £ – Universal edition number: UE

Author: Maukazahn Todal
Country: Grenada
Language: English (Spanish)
Genre: Science
Published (Last): 18 May 2015
Pages: 21
PDF File Size: 4.22 Mb
ePub File Size: 10.31 Mb
ISBN: 885-9-11395-345-8
Downloads: 34218
Price: Free* [*Free Regsitration Required]
Uploader: Mezikree

Oxford University Press, WorldCat is the world’s largest library catalog, helping you find library materials online. By using this site, you agree to the Terms of Use and Privacy Policy. Keep us on point!

Atmosphères (Orchestra) (Study Score)

Scorw up for our newsletter! This was the first work Ligeti began after his time atmodpheres the electronic music studio, and, as a composition of sounds and of layers of sounds, the score transfers to the orchestral plane an electronic manner of working. The Definitive Guide to Popular Music 4th ed.

Here’s one handy resource: However, formatting rules can vary widely between applications and fields of interest or study. Linked Data More info about Linked Data.

Atmospheres … (Ligeti).

Stanley Kubrick chose this piece and others by Ligeti for the scenes in deep space and those with the monolith in his film Elsewhere in the work, and more usually, Ligeti achieves the sense of one uninterrupted ilgeti mass by having atmosperes textures overlap with no clear divisions—entries are often to be imperceptible and extinctions gradual—or else by having one texture emerge out of another.

In an essay titled “Metamorphoses of Musical Form”, [19] Ligeti developed the concept of musical “permeability” according to which a musical structure is “permeable” if it allows a free choice of intervals and “impermeable” if not.

It isn’t on MuseScore. Moreover, the graphics quality looks rather low-end it’s readable anyway. VAT plus shipping costs. In reply to One can easily learn about by stevebob.


Some textures could be layered and juxtaposed; some musical structures will mix with others seamlessly, while other structures will stand out. Instead the listener is confronted with a slow-motion succession of textures, one oozing into the other, where the instrumental sonority seems to have more in common with the dissolves and hums of electronic music than that of a normal symphony orchestra.

Let’s say by Aldo. Of course, if someone else already did the job Micropolyphony has its first great example here in a mirror canon in forty-eight parts, the twenty-eight violins moving in a downward direction while the twenty violas and cellos climb. Your rating has been recorded. Paul Griffiths writes that this performance made Ligeti a “talking point”.

The E-mail message field is required. He also valued contrapuntal writing for its probity, for its traditional aura, and for its own sake: I googled “ligeti atmospheres” without the quotation marksand I found a number of retail sources for this score including Sheet Music Plus.

Hardly audible as a canon, by virtue of its general pppp dynamic level as well as its density, the passage achieves the global effect of a cluster being gradually compressed from three-and-a-half octaves to the lugeti of a minor third. Your request to send this item has been completed. Return to top of page. It gained further exposure after being used in Stanley Kubrick’s film From Wikipedia, the free encyclopedia.

György Ligeti, Atmosphères — American Symphony Orchestra

Click here to subscribe. Larry Sitsky has written that in Ligeti’s music “the density of the successive structures is such that the conventional parameters through which musical form melody, rhythm, harmony is traditionally perceived appear to have been evacuated.

Sign up for our newsletter! The name field is required. I think it is a very good piece to deal all the MuseScore power to get a very nice score and a very good playback. Rather the listener hears an all but scire series of sound evolutions unfolding at various moments”.


Ligeti : Atmosphères | MuseScore

But the imitative entrances are so close to one another that it is impossible to perceive them separately, with apparent immobility as the result. User support Documentation Development Donate. A Space Odyssey—Original Soundtrack. Please log in first to post your question. You already recently rated this item.

You may have already requested ligdti item. In extreme contrast with Artikulationthe music has no voice, and its immense presences imply, perhaps as in the contemporary paintings of Mark Rothko, an overwhelming absence. Support the ASO with a contribution today.

Tiny traces of influence can just be discerned – perhaps Debussy, a little Richard Strauss, certainly Bartok – though Ligeti’s vision is of startling, indeed radical, originality. Ligehi exemplifies much of Ligeti’s theory suspending harmony in favor of sustained sounds. There is absolutely no discernible melody, harmony is reduced to the drifting of saturated chromatic clusters, and pulse – or any sense of normal rhythmical articulation – is entirely absent.

Do you still have an unanswered scoge Please choose whether or not you want other users to be able to see on your profile that this atmsopheres is a favorite of yours.

Anyway, I just looked for a way to remove the link from here, but I couldn’t find any.

This dense sound-fog became known as the signature Ligeti style”.